Ecco alcuni testi che negli ultimi anni hanno influenzato e arricchito la mia ricerca artistica.
Italiano:
Guy Debord, “La società dello spettacolo”
Jean Baudrillard, “Patafisica e arte del vedere”
Jean Baudrillard, “Lo scambio simbolico e la morte”
Lev Manovich, “Il linguaggio dei nuovi media”
Douglas R. Hofstadter, “Godel, Escher, Bach: un’eterna ghirlanda Brillante”, Adelphi, 1979
Pierre Lévy, “Cybercultura”, Feltrinelli Interzone, 1999
Teresa Macrì ,”Il corpo postorganico”, Costa & Nolan, 1997
Antonio Caronia “Il corpo virtuale”, Muzzio, 1996
Francesca Alfano Miglietti, “Identità Mutanti”, Costa & Nolan, 1997
Mario Perniola, “Il sex appeal dell’inorganico”, Einaudi, 1994
Mario Perniola, “Transiti. Filosofia e perversione”, Castelvecchi , 1998
Roland Barthes, “Il piacere del testo”, Einaudi Ed., 1975
Dick Hebdige, “Sottocultura. Il fascino di uno stile innaturale”, Costa&Nolan, 1983
Walter Benjamin, “L’opera d’arte nell’epoca della sua riproducibilità tecnica”, Einaudi, 1966
Martin Heidegger, “
Martin Heidegger, “Essere e tempo”, Longanesi, 2005
arlo Infante, “Imparare giocando. L’interattività tra teatro e ipermedia”, Bollati Boringhieri, 2000
Carlo Infante, “Performing Media”, Novecento Libri, 2004
Autori Vari, “La scena immateriale” a cura di Angela Ferraro, Costa & Nolan, 1994
Autori Vari, “Creazione contemporanea”, Luca Sossella Editore, 2004
Lorenzo Taiuti, “Arte e media”, Costa & Nolan, 1996
Inglese:
Data Browser 03: Curating Immateriality (Data Browser), autonomedia.org
Data Browser 02: Engineering Culture (Data Browser), autonomedia.org
Data Browser 01: Economizing Culture (Data Browser), autonomedia.org
[the] xxxxx [reader], http://1010.co.uk/xxxxx_publication.html
Justin Bennet, “Noise Map”, Meinebank Berlin, 2003
Anthony Dunne and Fiona Raby, “Design Noir: The secret life of Electronic Objects”, August / Birkhauser, 2001
Carsten Nicolai, “Auto pilot”, Raster Norton, 2002
Various Authors, “Abtraction Now”, Edition Camera Austria, 2003
Anna Gerber, “All messed up”, Laurence King, 2004
“Neasden Control Centre”, Die Gestalten Verlag, 2003
John Maeda, “Maeda@media”, Universe, 2001
John Maeda, “Design by Numbers”, The MIT Press, 2001
John Maeda, “Creative code: Aesthetics + Computation by John Maeda”, Thames & Hudson, 2004
Noah Wardrip-Fruin, “The New Media Reader “, The MIT Press, 2003
Lev Manovich, “The Language of New Media”, The MIT Press, 2003
The sex-appeal of error/Glitch Bibliography:
Adorno, T. W. (1984). Aesthetic Theory. London and New York, Routledge.
Briggs, J. (1994). Fractals “The Patterns of Chaos”: Discovering a new Aesthetic of Art Science, and Nature. London, Thames and Hudson Ltd.
Bruce Sterling, T. J., et al. Dead Media Project working notes. 2003.
Computer Art Special (2000). Flash and Shockwave. Computer Arts Special.
Article on Design Studio Hi-Res
Cascone, K. (2000). “The Aesthetics of Failure: ‘Post-Digital’ Tendencies in
Contemporary Computer Music.” Computer Music Journal: 12-18.
Charlton, W. (1970). Aesthetics: an introduction. London, Hutchinson University Library.
Danto, A. C. (2002). “History in a Blur : Gerhard Richter.” The Nation(May).
Danto, A. C. (2003). The Abuse of beauty : Aesthetics and the concept of art. Peru, Illinois, Open Court a division of Carus Publishing Company.
Darley, A. (2000). Visual Digital Culture: surface Play and the spectacle in new media genres. London & New York, Routledge.
Doble, R. (January 2003). Painting with Light: the new expressive capability of digital photography, Rick Doble. 2003.
Douglas, M. (1966). Purity and Danger, Bauhaus.
Eide, E. S. (2002). Glitch and Parergon. Glitch Symposium, Live Art.
Fenwick, R. (2003). Chris Clark: Gob Coitus. Unified Systems.
Fenwick, R. (2003). Lights : Doom. Unified Systems, S2 Sony Music.
Fer, B. (1997). On abstract art. New Haven and London, Yale University Press.
Finney, T. (2001). Set the Controls for the Heart of the Sum. UK, Freaky Trigger.
Fo.AM (2000). digital art and the glitch, foam. 2003.
Grieman, A. (1990). Hybrid Imagery: The fusion of Technology and graphic design. London, Architecture Design and Technology Press London.
Harger, H. (2003). Radioqualia webcast from Cape Town. Evolution 2003,. Leeds.
Hirshorn-Museum (2003). Gerhard Richter: forty years of painting : Press Release, Smithsonian Institution.
James D. Murray, W. v. (1996). Encyclopedia of Graphics File Formats, O’Reilly & Associates, Inc.
Kennedy, L. (2002). Spielberg in the Twighlight Zone. Wired.
King, J. (1999). Jodi.org. Website Graphics Now. New York, Thames and Hudson.
section on Jodi.
Larsson, J. (2002). LEDDLYD2 – NORSKE LEDD, Bergen center of Electronic Art. 2003.
Levinson, P. (1999). Digital McLuhan. London and New York, Routledge.
M. Kuzmanovic, B. B. a. N. G. (August 2000). Topology of error: digital art and the glitch. Digital Arts and Culture Conference, Bergen, Norway, f0AM.
Manovich, L. (2000). Avant-garde as Software.
Manovich, L. (2000). Information and Form Review of Electrolobby. 2003.
Moradi, I. (2003). Computational Audio/Visual Aesthetics and the Glitch. LiveArt.
Motherboard (2002). Glitch [intro], liveart.org.
Nechvatal, J. (2002). “Gerhard Richter : 40 Years of Painting
@ MoMA, NY through May 21, 2002.” NY Arts nyartsmagazine.com.
Nergaard, K. (2003). Glitch Report.
Noyzelab (1997-2001). Mathematics, Chaos and Complexity in Electronic Composition, NoyzeLab. 2003.
O’Connor, F. V. (October 1998 and February 1999). Interpretative commentaries on works by Jackson Pollock (1D to 1K) : The Jackson Pollock Watch: Reviews and Commentaries A Gathering of Texts: Concerning The Museum Of Modern Art’s Jackson Pollock Exhibition. 2003.
Palmer, F. (1972). Visual Awareness, B T Batsford Limited London.
Pioch, N. (2002). Web Museum Picasso and Cubism Paintings of Juan Gris., http://www.ibiblio.org/wm/. 2003.
Pribor, D. B. (2002). Post Modern Zen: Human Hierarchal Mutuality of Chaos and Creativity. 2003.
Salaverry, Y. Glitch learns how to dance. Chicago Maroon Online. Chicago.
Sangild, T. (2002). The Aesthetics of Noise, Datanom.
Scott, T. (2001). Anti-Fractal. 2003.
Singh, S. (2001). The Code Book.
Stassen, F. (1999). Hoek / Rumba #3, Park.nl.
Vanhanen, J. (2001). “Aesthetics of Interruption: learning to love the ghost in the Machine.”
Veen, T. V. (2002). Laptops & Loops: The Advent of New Forms of Experimentation and the Question of Technology in Experimental Music and Performance. University Art Association of Canada, Calgary.
Velásquez, L. V. (2000). “Technology’s Fetishism.” La Revistade Investigacion Clinica 52(5): 569-580.
Zinnes, H. (2002). “Gerhard Richter : review.” NY Arts nyartsmagazine.com.
DOE(x):
Umberto Eco. “Il secondo diario minimo”, Tascabili Bompiani, 1992
Raymond Queneau. “Esercizi di stile”, Einaudi, 2005
Roland Barthes. “Sade, Fourier, Loyla”, Einaudi, 2001 (1971)
Roland Barthes. “Il piacere del testo”, Einaudi, 1999 (1973)
AV – “Oulipo. La letteratura potenziale. Creazioni, ri-creazioni, ricreazioni”, 1985, CLUEB
Altre risorse interessanti:
– L’addio a Jean Baudrillard clicca qui
– Articolo su Mcluhan La Repubblica clicca qui
– Mark Tribe & Reena Jana, “The language of new media”
– Six Selections by the Oulipo.pdf
– The Garden of Forking Paths.pdf
– Visual Intelligence – The first decade of computer art 1965-1975.pdf
– Sketchpad A man-machine graphical communication system.pdf
– The Wild City: Genetics of Uncontrolled Urban Processes
– New and Improved Without the New
– http://www.nwe.ufl.edu/~tharpold/courses/fall03/eng4139/
e http://www.english.ufl.edu/%7Etharpold/courses/fall03/eng4139/resources.html
– Analog Echoes: A Poetics of Digital Audio Editing
– Narrative as Genealogy: Sound Sense in an Era of Hypertext
– Digital Code and Literary Text
Update 2008
BIBLIOGRAFIA CONSIGLIATA
Il peso del suono – Lelio Camilleri (Apogeo)
L’audiovisione – Suono e Immagine nel cinema – Michel Chion (Lindau)
Elettronica e Musica – Franco Fabbri (Fabbri Editore)
Guida agli oggetti sonori – Michel Chion e Pierre Schaeffer (?)
L’art des sons fixés (in francese) – Michel Chion (Metamkine) Vi darò io delle dispense in italiano
Le condotte uditive – Francois Delalande (Editrice Clueb Bologna)
Traité des objets musicaux ( in francese) – Pierre Schaeffer (Editions du seuil)
Repertorio degli effetti sonori – Jean Francois Augoyard e Henry Torgue (Libreria Musicale
Italiana)
The Language of Electroacoustic Music (in inglese) – Edited by Simon Emmerson (The
Macmillan Press)
Musique acousmatique – Francois Bayle (INA-GRM)
Musica espansa – Francesco Galente e Nicola Sani (Ricordi – LIM)
Il secondo novecento – Andrea Lanza (EDT)
Il Suono Organizzato – Edgar Varèse (Ricordi – Unicopli)
Il Paesaggio Sonoro – R. Murray Schafer (Ricordi – Unicopli)
Gli ultraterrestri – Mario Gamba (Cronopio)
Suoni in scatola – Paolo Prato (Costa & Nolan)
Musica, Media e Tecnologie – Michel Chion (Il saggiatore – Flammarion)
Scultori di suono – Daniela Cascella (Tuttle Edizioni)
Post Rock e oltre – Eddy Cilia e Stefano I. Bianchi (Giunti)
Filosofia della musica – Giovanni Piana (Guerini e Associati)
Oceano di suono – David Toop (Costa & Nolan)
Electronic and Experimental Music (in inglese) – Thom Holmes (Routledge)
Portraits Polycromes (in francese) – Francis Dhomont (INA-GRM)
Aspects of Sound Art (in inglese e tedesco + CD) – Resonances ( KEHRER)
Sons en mutation (in francese + CD) – Musique Nouvelles (La lettre volée)
La musique concrète de Miche Chion – Lionel Marchetti (Metamkine)
Sonic Process (in francese + CD) – (Centre Pompidou)
TESTI SPECIFICI (Con riferimento alle arti tecnologiche)
L’estetica dei media – Mario Costa (Castelvecchi)
Disgusti – Le nuove tendenze estetiche – Mario Perniola (Costa & Nolan)
Postculture – Teresa Macrì (Meltemi Melusine)
Corpi Sognanti – Lorenzo Taiuti (Feltrinelli)
Il corpo postorganico – Teresa Macrì (Costa & Nolan)
Spam (+CD)– Arthur Kroker (URRA – Apogeo)
Postproduction – Nicolas Bourriaud (Postmedia – books)
Cinemacchine del desiderio – Teresa Macrì (Costa & Nolan)
Estetica del cinema – Mario Pezzella (Il Mulino)
Multimedia (+ DVD Rom) – Lorenzo Taiuti (Meltemi Melusine)
L’estetica del sintetico – Marina Pugliese Degli Espositi (Costa & Nolan)
Il Corpo Tecnologico – A cura di Pier Luigi Capucci (Baskerville)
Il cinema e le arti visive – Antonio Costa (Einaudi)
L’arte che non c’è – Mariacristina Cremaschi (Edizioni dell’ortica comunication)
Les Noveaux Médias dans l’art (in francese) – Michael Rush (L’univers de l’art)
Digital Art (in inglese) – Christiane Paul (Thames & Hudson)
Nuova arte italiana Luca Beatrice e Cristiana Perrella (Castelvecchi)
Falso è vero – Autori vari (AAA Edizioni)
TESTI GENERALI (Con riferimento all’arte o alle tecnologie)
Le forme del bello – Remo Bodei (Il Mulino)
Il Gusto – Valeriano Bozal (Il Mulino)
La questione dell’arte – Nigel Warburton (Einaudi)
Psiche e techne – Umberto Galimberti (Feltrinelli)
Filosofia dei sensi – Silvana Borutti (Raffaello Cortina Editore)
L’occhio e l’orecchio – Mikel Dufrenne (Il Castoro)
L’estetica del novecento – Mario Perniola (Il Mulino)
Discorso sull’orrore dell’arte – Enrico Baj – Paul Virilio (Elèuthera)
La sparizione dell’arte – Jean Baudrillard (Giancarlo Politi Editore)
L’intervallo perduto – Gillo Dorfles (Feltrinelli)
Enigmi – Maro Perniola (Costa & Nolan)
Le regole dell’arte – Pierre Bourdieu (Il Saggiatore)
Filosofia delle emozioni – A cura di Tito Magri (Feltrinelli)
Figure del desiderio – Ugo Volli (Raffaello Cortina Editore)
L’epoca delle passioni tristi – Miguel Benasayag – Gérard Schmit (Feltrinelli)
L’impero dei segni – Roland Barthes (Einaudi)
Pensare in un’altra luce – Rossela Prezzo (Raffaello Cortina Editore)
Identità mutanti – Francesca Alfano Miglietti (Costa & Nolan)
Neoismo e altri scritti – Stewart Home (Costa & Nolan)
L’arte e la sua ombra – Mario Perniola (Einaudi)
(ringrazio Manuel Lain)
Films e video interessanti
http://www.youtube.com/v/Jr_xRqa_oCo
http://www.youtube.com/watch?v=6gmP4nk0EOE
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